Literary
TermsPlot |
Characterization |
Point of View |
Conflict |
Foreshadowing | Irony
Tone/Mood | Symbolism |
Theme | Imagery |
Figurative Language
List compiled by Laura Bokesch, Library Media
Teacher
"Structure" includes all the elements
in a story. The final objective is to see the story as a whole and
to become aware of how the parts are put together to produce a
unified effect.
ELEMENTS OF PLOT
All fiction is based on conflict and this conflict is
presented in a structured format called PLOT.
Exposition
The introductory material which gives the
setting, creates the tone, presents the characters, and presents
other facts necessary to understanding the story.
Foreshadowing
The use of hints or clues to suggest what will happen
later in the story.
Inciting Force
The event or character that triggers the conflict.
Conflict
The essence of fiction. It creates plot. The
conflicts we encounter can usually be identified as one of four
kinds. (Man versus…Man, Nature, Society, or Self)
Rising Action
A series of events that builds from the
conflict. It begins with the inciting force and ends with the
climax.
Crisis
The conflict reaches a turning point. At this
point the opposing forces in the story meet and the conflict becomes
most intense. The crisis occurs before or at the same time as the
climax.
Climax
The climax is the result of the crisis. It is
the high point of the story for the reader. Frequently, it is the
moment of the highest interest and greatest emotion. The point at
which the outcome of the conflict can be predicted.
Falling Action
The events after the climax which close the
story.
Resolution
(Denouement)
Rounds out and concludes the action.
CHARACTERIZATION
MAJOR CHARACTERS
Almost always round or three-dimensional characters.
They have good and bad qualities. Their goals, ambitions and values
change. A round character changes as a result of what happens to him
or her. A character who changes inside as a result of what happens
to him is referred to in literature as a DYNAMIC character. A
dynamic character grows or progresses to a higher level of
understanding in the course of the story.
Protagonist
The main character in the story |
Antagonist
The character or force that opposes the
protagonist. |
Foil
A character who provides a contrast to
the protagonist. |
MINOR CHARACTERS
Almost always flat or two-dimensional
characters. They have only one or two striking qualities. Their
predominant quality is not balanced by an opposite quality. They are
usually all good or all bad. Such characters can be interesting or
amusing in their own right, but they lack depth. Flat characters are
sometimes referred to as STATIC characters because they do not
change in the course of the story.
POINT OF VIEW
First Person
The narrator is a character in the story who can reveal only
personal thoughts and feelings and what he or she sees and is told
by other characters. He can’t tell us thoughts of other characters.
Third-Person Objective
The narrator is an outsider who can report only what he or she sees
and hears. This narrator can tell us what is happening, but he can’t
tell us the thoughts of the characters.
Third-Person Limited
The narrator is an outsider who sees into the mind of one of the
characters.
Omniscient
The narrator is an all-knowing outsider who can enter the minds of
more than one of the characters.
CONFLICT
Conflict is the essence of fiction. It
creates plot. The conflicts we encounter can usually be identified
as one of four kinds.
Man versus Man
Conflict that pits one person against another.
Man versus Nature
A run-in with the forces of nature. On the one hand, it expresses
the insignificance of a single human life in the cosmic scheme of
things. On the other hand, it tests the limits of a person’s
strength and will to live.
Man versus Society
The values and customs by which everyone else lives are being
challenged. The character may come to an untimely end as a result of
his or her own convictions. The character may, on the other hand,
bring others around to a sympathetic point of view, or it may be
decided that society was right after all.
Man versus Self
Internal conflict. Not all conflict involves other people. Sometimes
people are their own worst enemies. An internal conflict is a good
test of a character’s values. Does he give in to temptation or rise
above it? Does he demand the most from himself or settle for
something less? Does he even bother to struggle? The internal
conflicts of a character and how they are resolved are good clues to
the character’s inner strength.
Often, more than one kind of conflict is taking place
at the same time. In every case, however, the existence of conflict
enhances the reader’s understanding of a character and creates the
suspense and interest that make you want to continue reading.
FORESHADOWING
An author’s use of hints or clues to suggest
events that will occur later in the story. Not all foreshadowing is
obvious. Frequently, future events are merely hinted at through
dialogue, description, or the attitudes and reactions of the
characters.
Foreshadowing frequently serves two purposes. It
builds suspense by raising questions that encourage the reader to go
on and find out more about the event that is being foreshadowed.
Foreshadowing is also a means of making a narrative more believable
by partially preparing the reader for events which are to follow.
IRONY
Irony is the contrast between what is
expected or what appears to be and what actually is.
Verbal Irony
The contrast between what is said and what is actually meant.
Irony of Situation
This refers to a happening that is the opposite of what is expected
or intended.
Dramatic Irony
This occurs when the audience or reader knows
more than the characters know.
TONE/MOOD
Tone
The author’s attitude, stated or implied, toward a subject.
Some possible attitudes are pessimism, optimism, earnestness,
seriousness, bitterness, humorous, and joyful. An author’s tone can
be revealed through choice of words and details.
Mood
The climate of feeling in a literary work. The choice of
setting, objects, details, images, and words all contribute towards
creating a specific mood. For example, an author may create a mood
of mystery around a character or setting but may treat that
character or setting in an ironic, serious, or humorous tone
SYMBOLISM
A person, place or object which has a meaning in
itself but suggests other meanings as well. Things, characters and
actions can be symbols. Anything that suggests a meaning beyond the
obvious.
Some symbols are conventional, generally meaning the same thing to
all readers.
For example: bright sunshine symbolizes goodness and water is a
symbolic cleanser.
THEME
The main idea or underlying meaning of a
literary work. A theme may be stated or implied. Theme differs from
the subject or topic of a literary work in that it involves a
statement or opinion about the topic. Not every literary work has a
theme. Themes may be major or minor. A major theme is an idea the
author returns to time and again. It becomes one of the most
important ideas in the story. Minor themes are ideas that may appear
from time to time.
It is important to recognize the difference
between the theme of a literary work and the subject of a literary
work. The subject is the topic on which an author has chosen to
write. The theme, however, makes some statement about or expresses
some opinion on that topic. For example, the subject of a story
might be war while the theme might be the idea that war is useless.
Four ways in which an author can
express themes are as follows:
1. Themes are expressed and emphasized by the way the author
makes us feel.. By sharing feelings of the main character you
also share the ideas that go through his mind.
2. Themes are presented in thoughts and conversations.
Authors put words in their character’s mouths only for good reasons.
One of these is to develop a story’s themes. The things a person
says are much on their mind. Look for thoughts that are repeated
throughout the story.
3. Themes are suggested through the characters. The main
character usually illustrates the most important theme of the story.
A good way to get at this theme is to ask yourself the question,
what does the main character learn in the course of the story?
4. The actions or events in the story are used to
suggest theme. People naturally express ideas and feelings through
their actions. One thing authors think about is what an action will
"say". In other words, how will the action express an idea or theme?
IMAGERY:
Language that appeals to the senses.
Descriptions of people or objects stated in terms of our senses.
FIGURATIVE LANGUAGE
Whenever you describe something by
comparing it with something else, you are using figurative language.
Any language that goes beyond the literal meaning of words in order
to furnish new effects or fresh insights into an idea or a subject.
The most common figures of speech are simile, metaphor, and
alliteration.
Simile
A figure of speech which involves a direct comparison between two
unlike things, usually with the words like or as. Example: The
muscles on his brawny arms are strong as iron bands.
Metaphor
A figure of speech which involves an implied comparison between two
relatively unlike things using a form of be. The comparison is not
announced by like or as. Example: The road was a ribbon of
moonlight.
Alliteration
Repeated consonant sounds occurring at the beginning of words or
within words. Alliteration is used to create melody, establish mood,
call attention to important words, and point out similarities and
contrasts. Example: wide-eyed and wondering while we wait for others
to waken.
Personification
A figure of speech which gives the qualities of a person to an
animal, an object, or an idea. It is a comparison which the author
uses to show something in an entirely new light, to communicate a
certain feeling or attitude towards it and to control the way a
reader perceives it. Example: a brave handsome brute fell with a
creaking rending cry--the author is giving a tree human qualities.
Onomatopoeia
The use of words that mimic sounds. They appeal to our sense of
hearing and they help bring a description to life. A string of
syllables the author has made up to represent the way a sound really
sounds. Example: Caarackle!
Hyperbole
An exaggerated statement used to heighten effect. It is not used to
mislead the reader, but to emphasize a point. Example: She’s said so
on several million occasions |